Hamilton

Charles Burkhart suggests that the reason codas are common, even necessary, is that, in the climax of the main body of a piece, a "particularly effortful passage", often an expanded phrase, is often created by "working an idea through to its structural conclusions" and that, after all this momentum is created, a coda is required to "look back" on the main body, allow listeners to "take it all in", and "create a sense of balance."[4]

 

 

 

 

Antoni Dworzak - vals ... tredje delen av hans 8-de symfomi - lysna igen och förnimma 

... sedan ... kan du dö

 

Music language that ... I bearly understand

 

Stupid young idiot ... that only wanted to have it fun and missed this essence

 

Happy it is over